I'm posting this before the end of December because I know I won't be finishing any more books before the end of the year. The following are the books I finished in December:
The Night Woods by Paula Munier
The latest in the Mercy Carr mysteries, this one finds Mercy very pregnant with her first child which does not stop her from solving three mysteries with her dog Elvis. The first mystery involves the murder of an academic who was visiting Mercy's friend Homer in his remote cabin. When Mercy and Elvis come upon the body, Homer and his dog Argos are missing. The second involves a missing billionaire from a nearby hunting preserve. Are they connected? The third mystery is a mysterious drawing that is left on Mercy's front door. As usual I loved all the dogs that show up in the Mercy Carr books. This book was heavy on references to Homer's The Oddysey which I didn't mind.
My Name is Barbra by Barbra Streisand
Whew. I chose the audio version of this memoir (narrated by Barbra herself) so that I could listen while I was making meals or cleaning my house. At over 48 hours I figured it would take me about a month and 1/2 to finish it. In fact I finished it in less than 30 days and my house was very clean because I always wanted to get to the end of a chapter. Streisand seems to go through every minute of her long life, analyzing herself, her politics, her movies, her TV specials and her music. She doesn't hold back. I admit that I found the last few chapters a bit of a slog as she got into all of her political activism but maybe that was the result of reading it right after the election. Fortunately for her she kept a journal that she could refer to, although she seems to have very specific memories of every piece of clothing she ever wore. She is very up front that she wants to set the record straight on all the things that people have gotten "wrong" about her throughout her career (including the Streisand Effect). I don't know if she will achieve that but I was entertained.
Held by Anne Michaels
Anne Michaels is a Canadian poet who also writes novels. This is a beautifully written novel that isn't for everyone. When I first heard it was a multi-generational novel I thought - oh no, this isn't for me. Those are usually huge and involve a lot of drama but may skimp on the character development. But I also heard that it began during WWI and I'm a sucker for WWI novels. So I thought I would give it a try. It's hard to describe the structure of this novel. I won't say it is a series of linked short stories because it isn't - and that was good because I don't really care for short stories anyway. It is more a series of vignettes, or even pictures, of various characters in different time periods who are all linked in some way. And even within a chapter, the story is often told in little snippets of pictures (photography is a recurring plot element in the novel). As I said, this is not a novel for everyone. If you like a linear storyline this isn't for you. If you want to know every detail of a character's back story, this isn't for you. This is a beautifully written study of the effects of trauma, war, and love on individuals across generations. It is definitely going on my "best of" list for 2024. I wish there had been time to re-read it immediately but it was due back at the library and there was a long wait list. Although I read it digitally I think it would be best read in hard copy so that the reader can easily flip around figuring out how the characters are related to each other.
French St. Louis: Landscapes, Contexts and Legacy edited by Jay Gitlin, Robert Michael Morrissey and Peter J. Kastor
No one who isn't, like me, interested in French colonial North America will need to pick up this book although if you do you will find 10 well written essays about the colonial legacy of St. Louis. This book arose out of a symposium at the Missouri History Museum in 2014 when the City of St. Louis was celebrating the 250th anniversary of its founding. I did not attend (and I'm not sure why since I was VERY interested in all the celebrations that year). It is divided into five parts: (i) Fashioning a Colonial Place: (ii) St. Louis between Empire and Frontier; (iii) St. Louis and New Orleans, a Regional Perspective; (iv) Visualizing Place: New Sources and Resources for Telling the Story of St. Louis; and (v) Maintaining the French Connection of St. Louis. All were interesting to me. It was helpful that the essays were not written in too much of an academic style.
Cat's Cradle by Kurt Vonnegut
This was a BlueSky read-along for December. I had read some Vonnegut before but not this one. I can see why some people really like it because it is funny (in the usual Vonnegut absurd way) and you can't really disagree with his underlying message (dour though it is, as usual). But it also came off as very dated especially with respect to the characters that were people of color and women. I didn't really care for it but I'm not sorry I read it.
The Mighty Red by Louise Erdrich
I love Louise Erdrich's writing and I don't think she has written anything that I haven't enjoyed. I purchased this book as soon as it was published but I saved it to read toward the end of the year. (I like to end the year on a high note if possible.) The novel starts after the 2008 financial crisis and has as its main characters three teenagers living in a small farming town near the Red River. At first I admit that I found the story hard to get into because I just wasn't in the mood to read about teenage angst. But as the story developed I found myself engaged, especially with the adults and their problems (including worrying about their teenage kids). As the story moved into the problems of farming, especially beet farming, with industrial herbicides I (surprisingly) found myself engrossed. There is a section where a character is working in the fracking industry and I found it nerve-wracking because it is so dangerous. If you want great writing, Louise Erdrich is for you. If you want deep character development, Louise Erdrich is for you. If you need a galloping, page turning plot, she probably isn't for you - but there IS a plot and she does build suspense. Most of her novels take place in the same general vicinity and there are usually Easter Egg references to characters from other novels - she's sort of the Upper Midwest/Native American version of William Faulkner in creating a sense of place that extends through all her novels. This is not my favorite Louise Erdrich novel but as usual I enjoyed it tremendously.
The Mistress of Bhatia House by Sujata Massey
This is the fourth in the Perveen Mistry series set in Bombay (Mumbai) in the 1920's. Perveen is the first woman solicitor in Bombay but she is not allowed to act as a barrister (appear in court) because she is a woman. This series is interesting because although it is set in colonial India (and there are so many books that are set during the colonial period) Perveen and her family are not Hindu or Muslim, they are Farsi (Parsi) and live by a different set of rules. I find that background interesting and Massey certainly creates a deep sense of place in these novels. I like Perveen as a character and the mysteries are fine. It isn't my favorite mystery series but I enjoy it and I was pleased to discover this fourth book.
The Turn of the Screw by Henry James
Another BlueSky read-along, this ghost story has been filmed so many times that I found myself distracted by remembering film versions of the story and I couldn't even remember if I had ever read the original. When I reached the end I was positive that I had not read it before. The Victorians liked to be told ghost stories at Christmas (think A Christmas Carol) and so I tried to think like a Victorian. But I truly don't get the enjoyment of ghost stories at Christmas unless they involve Christmas. It is an interesting story because James purposely explains nothing and it seemed as if almost every sentence was ambiguous. And the end came out of nowhere! I listened to the audio book for this reading which may have influenced my reading because I was very aware of just how impressionable the governess was (and also the reader made every sentence out of the little boy's mouth creepy). I enjoyed reading it but I think in the future I will stick to my annual re-reads of A Christmas Carol.
Murder at La Villette by Cara Black
I've always enjoyed Cara Black's Aimee Leduc mysteries. She sets each one in a different arrondissement in Paris, but each takes place about 20 years in the past. She says this is because that is the time period she lived in Paris and remembers well. I've always enjoyed the sense of place in this series. One thing I don't like in a mystery series is when the author apparently runs out of crime ideas and starts having the detective and his/her family be the targets of the crime. It just seems so unlikely to me. And that is the direction this series has been going in for some time. This time Aimee is accused of murder and must find the real murderer in order to clear her name. The part that I found most unlikely is that her close friends wonder if the accusation is true. This is a short book, about one hundred pages shorter than her usual mysteries and I think it's because there isn't much there. Mostly Aimee runs around Paris noting well known sights. So, unless you are already invested in this series I don't recommend it.
PS:
I am adding a book to this post that I read in August while I was on vacation. As I was drafting my end-of-year summary of reading I realized that I had neglected to include this book in any blog post.
Hungry Ghosts by Kevin Jared Hosein
Set in Trinidad in the 1940's this is the story of cultures existing in a period of change. This story centers on the island's minority Hindu population. Hansraj Saroop lives with his family in the "Barrack", a dilapidated shelter that houses multiple families. His wife wants him to purchase land in the village for a real house and that leads to him taking a job as a night watchman at a local estate where the wealthy husband has disappeared leaving a wife behind. But to me it was the peripheral characters who made this novel come to life. There is a plot but it seems secondary to Hosein, who draws vivid pictures of all the characters in this novel. This novel won the 2024 Walter Scott Prize for Fiction and, while it wasn't my favorite historical novel this year, I did enjoy it.
