Monday, April 5, 2010

Paperback Writer

To play while you read:

In the comments the other day, we were discussing the rise of digital publishing and there was a general consensus that printed books were not going to disappear soon.   I thought about that as I read an interesting article in Smithsonian Magazine about the evolution of  …Paperback Books.  Until the 1930’s paperbacks did not exist as they do today.  They existed but were used mostly for pulp fiction. No “regular” novels, even classics, were available in paperback.   And then, along came Penguin Books.

The story about the first Penguin paperbacks may be apocryphal, but it is a good one. In 1935, Allen Lane, chairman of the eminent British publishing house Bodley Head, spent a weekend in the country with Agatha Christie. Bodley Head, like many other publishers, was faring poorly during the Depression, and Lane was worrying about how to keep the business afloat. While he was in Exeter station waiting for his train back to London, he browsed shops looking for something good to read. He struck out. All he could find were trendy magazines and junky pulp fiction. And then he had a “Eureka!” moment: What if quality books were available at places like train stations and sold for reasonable prices—the price of a pack of cigarettes, say?

A weekend in the country with Agatha Christie?  How murderously delightful!

Lane formed Penguin Books himself when no publishing house would back him.  It was a successful venture. Looking at it with 20/20 hindsight it seems clear that paperbacks would be popular.  Well, why wouldn’t they be?  They could not only be sold at railway stations and the five and dime stores, they were more lightweight than hardbacks which made them perfect for commuter reading in a country that relied on trains.   And look at who they were publishing:

The first ten Penguin titles, including The Mysterious Affair at Styles by Agatha Christie, A Farewell to Arms by Ernest Hemingway and The Unpleasantness at the Bellona Club by Dorothy Sayers, were wildly successful, and after just one year in existence, Penguin had sold over three million copies.

Soon a similar venture was tried in America.   The advent of World War II made the industry grow because paperback novels were easy to distribute to troops during wartime and easy to carry around.  Today paperback versions of novels are ubiquitous. 

Personally, at this point I prefer paperbacks although I read a lot of hardbacks.  I like to read some authors immediately without waiting for the paperback version.  I also use my public library and they buy books as soon as they are published, which makes for a lot of hardbacks.  So I lug around hardback editions all the while wishing I had a paperback edition. 

Hardbacks last longer, it is true.  But hardbacks seem to be designed for people who have the luxury of reading at home, in a comfortable chair under a good reading lamp.   They are not good for lugging around in a purse to be read between bites at lunchtime.  Or to be read in a car as one sits through very long stoplights.  They are not even very good for reading in bed (I sometimes had a fear of breaking my nose when I tried to read my hardback copy of War and Peace in bed and wold start to fall asleep.)  And there is a psychological reason I like to carry paperbacks around - I don’t feel as bad if I bang them up as I would if they were hardbacks.

On the other hand, even paperback versions of long books are hard to lug around.  It took me forever to finish Anna Karenina because I had no reading plan and I found it too heavy to easily carry around with me and read as the spirit moved me.  Right now I’m reading 2666 in paperback and it too is heavy to easily lug around, although I do.

I’ve been thinking a lot about the virtues of a Kindle these past few months.  Since I took my sabbatical from all my reading groups, I’ve used my new freed up time to read some very long books.  I’ve finished War and Peace (over 1000 hardback pages) and An American Tragedy (over 800 paperback pages).  I’m reading 2666 (about 900 paperback pages) and Lindsey Davis’ Rebels & Traitors (about 800 hardback pages).  Even the shorter books I’ve been reading haven’t been all that short.  I just read The Glass Room by Simon Mawer which was over 400 paperback pages.  And I’m working on Byatt’s The Children’s Book which is almost 700 hardback pages.  The last two I read at home so it isn’t so much of a problem.  But the others … a Kindle would have been nice.  On the other hand, 2666 and Rebels & Traitors aren’t available on Kindle.  What’s up with that publishers?  These type of long books seem ready made for carrying around digitally.  

For what it is worth, my prediction is that hardbacks are going to be phased out.  They will still be available in special editions for collectors, so they won’t disappear entirely.  But I think we are going to see a world dominated almost completely by paperbacks and e-versions of books.  Even brand new novels by big name authors of literary fiction will eventually stop coming out first in hardbacks.  And paperbacks will be purchased by people who want to read at home or who rely on the library or book sales, the way hardbacks are now. The same “Eureka” moment that Allen Lane had back in the 1930’s applies to e-books today: “What if quality books were available at places like train stations and sold for reasonable prices—the price of a pack of cigarettes, say?”   Once you get past the cost of the reading device, this is happening today.  Quality books are available wherever you happen to have access to an internet connection and, although the cost is more than a pack of cigarettes, it is still relatively cheap.

h/t: Mark Athitakis

Sunday, April 4, 2010

Mr. Popper To Come to the Big Screen

I was excited to read that a film version of Mr. Popper’s Penguins is in the offing.

"Mr. Popper" is the tale of a house painter whose dreams of Arctic exploration prompt him to write letters to real explorers. One of them sends him a penguin, which he keeps in an icebox. Soon, Mr. Popper receives a female penguin from a zoo and before he knows it, he has a litter of 12 beaked birds.

When the penguins start to eat him out of house and home, Mr. Popper forms Popper's Performing Penguins, a stage act that goes on tour and causes mayhem at every stop.

I remember the pictures in that book vividly. When we were kids one of my sisters had a teacher named Mrs. Popper.   She is forever linked in my mind with Mr. Popper.

h/t :  Book Bench

Saturday, April 3, 2010

Happy Easter

Happy Easter to those who celebrate and have a good Sunday to those who don’t. 

And whether you celebrate or not – never trust a muppet monster dressed up like a bunny:

Friday, April 2, 2010

The End of the World as We Know it

Tomorrow the ipad will be released and the world as we know it will end.

Or something like that.

Lisa Peet’s Like Fire blog featured, a few days ago, this clever little film by UK publisher Dorling Kindersley about the future of publishing. It is both a creative use of word play and also a reminder not to fall into the trap of thinking that one person’s world view is the only world view:

As a reader, I am concerned with the current upheavals in the publishing industry.  Not as concerned as publishing companies are, of course.  Or authors, possibly. But I am concerned.  My concern is, of course, all about me.  I’m concerned that, during this current period of chaos, two things will happen that will affect me negatively: (1) big publishing houses will narrow the type of books that they choose to publish and they won’t be the type of books I want to read, and (2) the smaller publishing houses won’t have access to the capital necessary for them to take advantage of this opportunity and fill the void.

Yes, people living through the chaos of revolutions tend to be a bit selfish.  

Thursday, April 1, 2010

Cracking the Code

Booking through Thursday asks:

I spent the day with my friend’s twins the other day. Twins who are learning to read, sounding out the words, trying to make sense of the stories in their books, and it made me nostalgic for when I learned. I still remember the distinct moment that the concept of reading clicked, with a meglomaniacal realization that, all I needed to do was learn the words and I could read anything in the whole world. (That’s my kind of world domination.)

Do you remember learning to read? What’s your earliest reading memory?

Wednesday, March 31, 2010

Glee!

It returns. Finally. And they are moving it from Wednesdays to Tuesdays so I might actually get to see it in real time and not via hulu.

I know Glee is not for everyone. Some people don’t like musicals. Some people who like musicals don’t like the idea of using pop music in them. Some people don’t like comedies built on caricature. Some people don’t like comedies with fantasy sequences.

Tuesday, March 30, 2010

Eye Yi Yi …

Personally, I think this looks really annoying:

  “In the above video a team of scientists at the German Research Center for Artificial Intelligence (DFKI in German) leash eye-tracking technology from the Swedish firm Tobii Technology to HTML, CSS and JavaScript code, creating what they call “Text 2.0.”

Their technology is capable of monitoring your eyes in order to define words if you stare at them puzzled, eliminating non-essential information when you’re skimming, helping you pick up exactly where you left off, swapping images based on what you’re reading, surfacing relevant reference materials and more, as reported by h+ magazine.”

Please.  No.

“Granted, it might be a bit over-the-top to add contextual information about whales’ feeding habits to Moby Dick when your eye lingers on a certain passage for too long …”

Ya think?

July and August Reading

I was away on vacation at the end of July and never posted my July reading. So this post is a combined post for July and August.  In the pas...